Showing posts with label Иван Бунин. Show all posts
Showing posts with label Иван Бунин. Show all posts

Friday, March 1, 2024

Translation of Poem by Ivan Bunin, Иван Бунин, "Ночь печальна," THE NIGHT IS SAD

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Иван Бунин

(1870-1953)

Ночь печальна, как мечты мои.
Далеко в глухой степи широкой
Огонёк мерцает одинокий…
В сердце много грусти и любви.

Но кому и как расскажешь ты,
Что зовет тебя, чем сердце полно! —
Путь далек, глухая степь безмолвна.
Ночь
печальна, как мои мечты.

1900

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Literary Translation/Adaptation by U.R. Bowie

 

The night is sad; my dreams are steeped in woe.
Far away, in steppelands broad, forsaken,
The glimmer of a sole soft light aglow . . .  
One’s heart with love and sorrow heavy laden.
 
But who’s to tell and how of pleas incessant,
What beckons gently, lights your soul’s tableau?
The path is long, the barren steppe quiescent.
The night is sad; my dreams imbued with woe.

 

 YouTube recording of the Rachmaninoff romance written to Bunin text :

https://www.youtube.com/watch?v=0c1WL5bog58

https://www.youtube.com/watch?v=0c1WL5bog58




Tuesday, August 8, 2023

Translation of Poem by Ivan Bunin, Иван Бунин, "Одиночество," LONELINESS

                                 Monument to Ivan Bunin in Voronezh, Sculptor A.I. Burganov



Ivan Bunin

(1870-1953)

 

Иван Бунин

Одиночество

И ветер, и дождик, и мгла
Над холодной пустыней воды.
Здесь жизнь до весны умерла,
До весны опустели сады.
Я на даче один. Мне темно
За мольбертом, и дует в окно.

 

Вчера ты была у меня,
Но тебе уж тоскливо со мной.
Под вечер ненастного дня
Ты мне стала казаться женой…
Что ж, прощай! Как-нибудь до весны
Проживу и один — без жены…

 

Сегодня идут без конца
Те же тучи — гряда за грядой.
Твой след под дождем у крыльца
Расплылся, налился водой.
И мне больно глядеть одному
В предвечернюю серую тьму.

 

Мне крикнуть хотелось вослед:
«Воротись, я сроднился с тобой!»
Но для женщины прошлого нет:
Разлюбила — и стал ей чужой.
Что ж! Камин затоплю, буду пить…
Хорошо бы собаку купить.

 [1903-1905]

 

d

Literary Translation/Adaptation by U.R. Bowie

 

Loneliness

 

The wind, and the rain, mist and dread,

Hanging low over wastelands of water.   

Here all life until spring has gone dead,

Scant gardens are winter’s best augur.

I’m alone at the dacha, in gloaming,  

At my easel; the wind soughing, droning.


You were here with me just yesterday,

But with me you were restless and sad.

In the rain, twilight murk, disarray,

You seemed like a wife, or comrade . . .

So be it, farewell! Till spring and new life

I’ll live by myself, with no wife . . .

 

The rainclouds glide on, on and on, 

One cloudbank, one more, then the same.

Your footprint by the porch almost gone,

Diffuse, formless now, filled with rain.

And it pains me to be alone, gazing

At the gray twilight haze all-embracing.

 

I wanted to cry after you:

“Come back, you’re a part of me now!”

But for woman what’s loved hitherto

Counts for naught—not a touch, not a vow.  

So be it! I’ll light a fire in the hearth

And I’ll drink till besotted;

Might just get me a dog,

One that’s black and white spotted.

 

                       Monument to the dog Bim in Voronezh ("White Bim with the Black Ear")



d

Translator’s Addendum

Alternate Endings (Jocular) With Creative Rhymes

(The Many Words Drinkers Use, Courtesy of Roget’s Thesaurus)

 


Silly

I’ll light a fire in the hearth, and I’ll drink myself silly;

Might just get me a dog, feed him buckwheat with chili.

 

Sloshed

I’ll light a fire in the hearth and I’ll get myself sloshed;

Might just buy me a dog, take him out for long walks.

 

 

Blotto

I’ll light a fire in the hearth and I’ll drink till I’m blotto;

Might just buy me a dog, name him Buster, or Otto.

 

Dizzy

I’ll light a fire in the hearth, and I’ll drink myself dizzy;

Might just get me a dog, one all fluffy and frizzy.

 

Stinko

I’ll light a fire in the hearth, and I’ll drink myself stinko;

Might just get me a dog, or a nice pet flamingo.

 

Crocked

I’ll light a fire in the hearth and I’ll get myself crocked;

Might just buy me a dog, one with spots and tail lopped.

 

Ivan Bunin declaims his poem:

 https://www.youtube.com/watch?v=V8JpNfXnjKI




Saturday, February 4, 2023

Translation of Poem by Ivan Bunin, Иван Бунин, "Саваоф," "Sabaoth, Lord God of Hosts"

                                 Sabaoth in Spaso-Preobrazhensky Sobor, City of Yaroslavl



Иван Бунин

(1870-1953)

Саваоф

Я помню сумрак каменных аркад,
В средине свет — и красный блеск атласа
В сквозном узоре старых царских врат,
Под золотой стеной иконостаса.

 

Я помню купол грубо-голубой:
Там Саваоф с простертыми руками,
Над скудною и темною толпой,
Царил меж звезд, повитых облаками.

 

Был вечер, март, сияла синева
Из узких окон, в куполе пробитых,
Мертво звучали древние слова.

 

Весенний отблеск был на скользких плитах —
И грозная седая голова
Текла меж звезд, туманами повитых.

July 28, 1908

 

 

d

 

Literal Translation

 

Sabaoth

 

I recall the twilight of the stone arcades,

The light in the middle—and the red gleam of satin

In the show-through pattern of the old royal gates,

Beneath the golden wall of the iconostasis.

 

I recall the cupola [painted] a crude light blue:

There was Sabaoth with arms spread wide,

Over the sparse and dark mob of people,

He reigned there amidst the stars wrapped in clouds.

 

It was evening, March, a bluish glow shone

From the narrow windows that were hewed into the cupola;

Ancient words rang out in deadened tones.

 

There was a glimmer of spring on the slippery flagstones—

And the menacing gray head

Flowed there amidst the stars wrapped in haze.

 

d

 

Literary Translation/Adaptation by U.R. Bowie

 

Sabaoth, Lord God of Hosts

 

I recollect the stone arcades in twilight,

Illumined dim the satin reddish glare

On royal gates with God’s Good News bedight,

Iconostasis, blazing golden blare.    

 

I recollect the cupola, faint lazuline,

With Sabaoth in Glory, arms stretched wide;

Above the meagre throngs who sigh and pine,  

Midst cloud-wreathed stars He looms there, anger-eyed.

 

A March in gloaming, spreading tones of blue

From narrow windows hewed into the dome,

While ancient words below dead air bestrew.

 

On slickness of the flagstones vernal glimmer—

That gray head’s rage and menace in the gloam

Broods on midst stars festooned in hazy shimmer.

 

d

 

Translator’s Notes

 

You’re much more likely to appreciate the descriptive details in this poem if you’ve spent time inside Russian Orthodox churches. The image painted in the central cupola—looking down on the interior of the church and all its parishioners—is often that of an Old-Testament gray-bearded and menacing God as described here.

 

First stanza:

 Royal gates (or Tsar’s gates)—central doors of the iconostasis, directly in front of the altar in an Easter Orthodox church. They sometimes have an open-latticed fretwork pattern, as in Bunin’s original. They also are frequently adorned with an iconic image of the Annunciation, which is Благовещение (literally, the Good News) in Russian.

 Iconostasis—a wall of icons and religious paintings separating the nave from the sanctuary in an Eastern Orthodox church

 

Third stanza:

 Ancient words—allusion to Old Church Slavonic, the language of the liturgy in Russian Orthodox churches

 

                                     Detail from Michelangelo Fresco in Sistine Chapel


                                                                        Royal Gates


                                                          Iconostasis with Royal Gates



Saturday, January 7, 2023

Translation of Poem by Ivan Bunin, Иван Бунин, "Не видно птиц…" BIRDLESS

                           Illustration to the Bunin Poem, "Birdless," by Gennadi Novozhilov

 

 

Иван Бунин

(1870-1953)

Не видно птиц…

Не видно птиц. Покорно чахнет
Лес, опустевший и
 больной.
Грибы сошли, но
 крепко пахнет
В
 оврагах сыростью грибной.

Глушь стала ниже и светлее,
В
 кустах свалялася трава,
И, под дождем осенним тлея,
Чернеет тёмная листва.

А в поле ветер. День холодный
Угрюм и
 свеж — и целый день
Скитаюсь я
 в степи свободной,
Вдали от
 сел и деревень.

И, убаюкан шагом конным,
С
 отрадной грустью внемлю я,
Как ветер звоном однотонным,
Гудит-поет в
 стволы ружья.

1889 г.

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Literal Translation

No birds can be seen. Meekly languishes

The forest, now deserted and sick.

The mushrooms are gone, but in the ravines

There is the stringent smell of fungal dampness.

 

The wilds now grow lower and brighter,

Grass has piled up under bushes,

And rotting beneath the autumn rain,

Lies the darkness of leaves.

 

It’s windy in the fields. The day is cold

Morose and crisp—and all day long

I wander in the open steppeland,

Far from villages and hamlets.

 

And lulled by the footfalls of my horse,

With exultant gloom I hearken to

The sounds of the wind as it blows on monotonous,

Whines and sings in the barrels of my gun.

 

d

 

Literary Translation/Adaptation by U.R. Bowie

 

Birdless

 

No birds in sight. Meek in its languishing

Lies the bleak forest, bare, vacant and ill.

Mushrooms are gone, but the air reeks of anguish in

Fungal damp smells that are stringent and shrill.

 

The wilds have a look that is lower and brighter,

Grass bent and crushed piles up under bush,

Beneath the fall rain under skies ever lighter,

Leaves on the rot lie in darkening blush.

 

Cold is the day and windblown is the landscape,

Damp is the air playing sullen refrains,

All day I ride through the steppe’s weary dreamscape,

Far from the settlements, heart unrestrained.  

 

Lulled by the footfalls of equine stark prosody,  

Rapt in my sadness, I heed the wind’s long

Whines of implacable callous monotony;

In my shotgun’s barrels they drone their drear song.

 

d


Translator’s Note

 

Bunin was only nineteen years old when he wrote this poem. Published in the journal “God’s World,” St. Petersburg, Oct., 1898, it attracted notice. In his reminiscences of Tolstoy, Maksim Gorky describes one “morose, autumn day” in the rain when he and Lev Tolstoy went out for a walk in the birch forest. He describes Tolstoy “jumping over ditches and puddles like a young man, shaking drops of rainwater off branches onto his head, and marvelously relating how Shenshin [the poet Fet, landowner neighbor of Tolstoy] explained Schopenhauer to him in that very birch grove.

 “Lovingly stroking the dampish, silken trunks of the birches with a tender hand,” Tolstoy said, ’Somewhere I recently read these lines’ [third and fourth lines of the first stanza of Bunin’s poem]:

Грибы сошли, но крепко пахнет

В оврагах сыростью грибной.

‘That’s really good, and really true,’ said Tolstoy.”

 [cited from Gorky’s Collected Works in the nine-volume collection of Bunin (1965): I, 527]


                                   Bunin's Shotgun on Display at the Bunin Museum in Elets