Showing posts with label russian literature. Show all posts
Showing posts with label russian literature. Show all posts
Friday, August 23, 2019
"Sama Seeker in the Time of the End Times" Novel by U.R. Bowie
Now available for purchase in two volumes, a spy novel: Sama Seeker in the Time of the End Times: Reminiscences of a Life in the Spook Trade, While in Search of Osama bin Laden
The year is 2002, the devastating attack of 911 in New York still reverberates. Osama bin Laden is in hiding. Defense Secretary Rumsfeld says, “If he’s alive, he’s somewhere?” The U.S. government marshals all its forces to find and kill him. Urell L. Buies, Ph.D., a college professor with a sideline of decades in low-level intelligence operations, is recruited to work with Russian intelligence in Central Asia. The Russians promise they can find Osama. While in Samarkand, Uzbekistan, doing little more than waiting for something to happen, Buies begins writing a long account of his years as a double agent. Or what he terms, ironically, “a double non-agent.” As the story of his life moves closer to present time, the narrative moves to the climactic point: the day the Russian helicopter goes in after Osama.
https://www.amazon.com/gp/product/1076653014/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i7
Tuesday, February 14, 2017
BOOK REVIEW David Bezmozgis, "The Free World"
BOOK REVIEW
David Bezmozgis, The
Free World, (NY: Farrar, Straus and Giroux), 2011
As a child on his way to a new
home in Canada, David Bezmozgis himself went the way of the fictitious
characters in this novel. The book is set in 1978, and mention is frequently made
of what is going on in the world at the time of the action. For example, “in
Beirut, the Syrians were shelling the Christians, and Israel was massing troops
on its northern border” (66). Meanwhile, “Begin was in America meeting with
Carter and the Egyptian Sadat” (239).
The summit meetings between Sadat
and Begin strike one as ancient history now, but the main characters in this
book are even more anachronistic. They are denizens of the Soviet Union. Furthermore,
the novel depicts a special category of Soviets, Jews who have renounced their
Soviet citizenship and emigrated abroad as refugees. The standard Western image
of such people is that of persecuted, and rather heroic defenders of freedom.
Surely there were such types, but Bezmozgis shows us normal human beings with
all their flaws.
He shows us, moreover, that the
refugee Soviet Jews are still Soviet Russians—from the ways they think and act
down to the very ways they hold their mouths as they walk the streets of the
capitalist West. Here is a typical description: “a man in his middle thirties,
balding, slightly flabby, and with the typical Russian look of fatigue—acquired
in the womb, marinated in that broth of disappointments” (337). Imagine how hard it is to slough off that
Russian look on any Russian face, “acquired
in the womb.”
The main narrative line features
the Krasnansky family from Riga, Latvia: the patriarch Samuil and his wife
Emma; their sons Alec and Karl; Alec’s wife Polina and Karl’s wife Rosa. All
are Jews except Polina, who ends up being the most sympathetic character in the
novel. They pass through Vienna first, then take a train to Rome, where Jewish
relief agencies will help place them in a new life abroad. They debate over
where to go, which country to choose. Israel is, of course, one choice, but
only Rosa wants to go there. Other places are much preferable, apparently, to
most of the Soviet Jews living temporarily in Rome. One big reason is the
political unrest in Israel. “Alec, having successfully avoided the worst of
Soviet military service, wasn’t aching to go from Ben Gurion Airport to boot
camp. Getting killed or maimed in Lebanon, or Egypt, or wherever the bullets
were flying, seemed to defeat the whole point of leaving the Soviet Union”
(66). The Krasnanskies eventually pick Canada as their destination in the free
world.
Of the brothers Alec has a
somewhat problematic name. Is this the Russian name Олег (Oleg, pronounced
roughly “A-lek”), masquerading in English as a nickname of Aleksandr? If the
character were Aleksandr, his normal nickname would be Sasha.
The two brothers are polar
opposites: “Alec would see a circus and want to join; Karl, meanwhile, would
estimate the cost of feeding the elephants and conjecture that the acrobats
suffered from venereal disease” (33). Karl is the standard Soviet pragmatist
and simulator-manipulator. Among Soviet Russians, and surely even among
post-Soviet Russians, his type is legion. At one point he speaks disparagingly
of a bus driver with “a sad and trusting face,” adding that “my face is
whatever it needs to be” (34). The reader wonders what kind of face he will put
on to wear around Canada when he arrives there. Speaking of faces, another
incidental character, the kind and generous Lyova—who has already lived in Israel
but is looking for a way out of that chaotic country—describes his own face as
follows: “Mine is the archetypal Jewish face. Like something formed on the run
and in a panic. Nose, eyes, ears, mouth: finished” (127).
Only a month or two in Italy,
while awaiting placement abroad, the thuggish Karl is already involved in
several business enterprises, some illegal. He brokers apartments to other
arriving refugees, does a bit of money changing, operates a shady auto repair
shop and traffics icons smuggled out of the U.S.S.R. His wife Rosa (the most
undeveloped character in the family) tolerates his boorishness and occasional
infidelities, devoting her life mostly to their two sons.
Alec, age 26, perhaps the main character in the book, is
notable for his frivolous nature, the way he makes light of everything. While
Karl is out hustling for money, Alec prefers hustling for women. Early in his
life he has discovered that women like him. “In his presence they often became
exaggerated versions of themselves. The maternal ones became more maternal, the
crude ones became cruder, the shy ones shyer” (4). Alec and Polina have been married only a year
at the time of the action; she has struggled over her decision to leave her
parents and her beloved sister behind in Riga. Eventually Alec’s foolish
decision to pursue a young refugee, the bad-news Masha, brings tragedy to the
family and a likely breakup in his marriage to Polina. She decides to go on with
him to Canada but divorce him upon arrival there.
Divorce, in fact, is rife among
the Soviet refugees in Rome. As early as their arrival in Vienna, wives are
abandoning their husbands, and affairs among the newly emigrated Jews are
common. Some couples would have divorced years ago, but they remain together
only long enough to get the documents allowing them to leave the Soviet Union.
There are “the common occurrences of one man leaving his wife for that of a
friend. This was then typically followed by threats and imprecations, and the
obligatory loopy fistfight—the whole sorry spectacle played out before
somebody’s distraught five-year-old son” (225).
For me the most interesting
character in the book, and something of a tragic figure, is the patriarch
Samuil. Despite his Jewishness, he has made a firm place for himself in
Sovdepia, working a high managerial post in a radio factory. There he operates
as a typical Soviet tyrant, who has a network of informants. He is also known
to be a philanderer, apparently taking advantage of his high station to find
willing women.
So firm is Samuil’s belief in
Communism and the Soviet Way that emigration for him is a personal tragedy. He
leaves because all the rest of his family are leaving, but so reluctant is he
to emigrate that he contemplates killing himself in Riga. Once abroad, while
waiting for Canada, he does nothing but grumble, eventually isolating himself totally
from the others while writing a memoir of his life.
In a roundabout way, the author
presents that memoir to the reader, shows us what a fascinating and even bizarre
life this old man has lived. Samuil started out in a squalid shtetl in the
Ukraine, where, as a Jew, he faced the horrors of pogroms and had to watch his
own father murdered. In describing that early life, Bezmozgis features
wonderful passages of prose. Here he describes the ritual butcher inspecting
the lungs of a cow or sheep he had butchered:
“the glossy brownish organs . . .
. . the grotesque and otherworldly things that made life possible and which
everyone—from a mouse to a man—had pumping and sloshing around in the dark
hollows under his skin” (117).
Samuil’s whole life is replete
with the dark sloshings of a dangerous world. Later in his boyhood he makes it
to Latvia, where he lives with Jewish relatives and is radicalized by left-wing
believers in the socialist way. In the summer of 1940, at age 27, he witnesses
the Soviet takeover of Latvia, and greets the invaders with open arms. Working
as a Red Guard he helps deport “unsavory” types: “Zionists, Latvian
nationalists, capitalists, bourgeoisie, members of the former government,
priests, rabbis, Hebrew teachers, everyone a potential threat” (174-75). Aloft
in his dreams of a socialist utopia, Samuil never conjures up one iota of
sympathy for the people he sends to Soviet labor camps. He and his brother
Reuven, another true believer, do nothing to help their cousin Yaakov (a
Zionist), even accompanying him to the cattle cars heading East. Given the
Jewish blood that he has on his hands, it is no wonder that Samuil has no
interest in emigrating to Israel.
Later on Samuil fights the good
fight for the Fatherland in the war against Hitler. Now, late in life, he has
no regrets about how he has lived, regretting only that his family has forced
him to emigrate, betraying all his ideals and the Soviet system he still
supports. His thoughts, however, are the thoughts not only of a
Soviet-believer. Much of what he thinks is typical of aged thoughts anywhere in
the world.
“How had it happened that the
people in the past, all long dead, now seemed to him to be the real people, and
the people in the present, including his own children, seemed to him
evanescent, so nearly figments that he could imagine passing his hand through
them?”(195). The old Jews newly abroad are truly touching figures. “They were
all obsolete, a traveling museum exhibit of a lost kind: Stalin’s Jews,
unlikely survivors of repeat appointments with death” (236).
Despite his doctrinaire
personality and the sins of his Soviet past, despite his self-centered nature,
his callous treatment of his wife and bullying of his own sons, Samuil is a
believable character, and, in some dark way, even sympathetic. The descriptions
of his death in Rome of a heart attack and his Jewish funeral and
burial—attended by the secular Soviet Jews in his family, who have no conception
of the Hebrew ritual, no idea what is going on—are probably the most moving in
the novel. After the ceremony is done, they all end up singing the one song
that unites them, a song Samuil himself would have approved of: the Communist Internationale
(344).
Here is the fine description of
Alec’s first viewing of the dead body.
“Alec approached the figure, drew
aside the folds, and uncovered a wax replica of his father’s face. He saw the
full head of gray hair, the stern brow, the distinguished masculine nose, and
the shiny white granules stippling the cheeks. Someone had shut his father’s
eyes and removed his dentures. The latter detail had distorted his face,
collapsing his mouth and making him seem ancient. Alec’s impulse was to look
away, but he resisted out of a duty to see all. He tried to reconcile this pale
waxwork with the father who had been such a vital, dominant presence in his
life. He felt crushed by the mortal paradox: how it was that his father lay by
his side and that his father was no more. He studied his father’s face and
understood that there was such a thing as a soul and that it had departed and
left behind a corpse” (338).
Although the book is set in Rome
and the characters are, largely, Jews, what one learns most in reading this
book is how the Soviet mentality worked. Although describing events of the
twentieth century (1978) the novel is already a sort of museum piece. Were
these characters to return now, to the newly capitalist Russian Federation,
they would be totally out of place. So much has changed in forty years.
What must it have been like for
people who had never seen a banana in their lives and were suddenly swimming in
bananas? Soviets abroad for the first time, including the Krasnansky family,
are obsessed with bananas—not to mention “pineapples, or the chicken and veal
in the butcher’s shops.” Then again, there is the thing of colorful clothing.
Polina writes to her sister back in Riga: “What I hadn’t expected were the
colors. There were dresses and blouses in colors I had never seen. How strange
it is to think that I had lived my entire life without seeing certain colors.
In one display there was a silk blouse of a deep lavender I associated with
exotic flowers” (12). Anyone who visited the Soviet Union from the West in the
seventies, the years of the “Brezhnev stagnation” during which this book is
set, was immediately struck by the monochromatic nature of the place—even the
capital Moscow: the greys and dirty browns, the absence of bright colors; the disrepair
of the buildings. The grimness.
For Soviet people coming out
Westward it must have seemed something like the ending of Tarkovsky’s film,
“Andrey Rublyov”—when the black-and-white suddenly takes on color, and we feast
our eyes on the magnificence of the Rublyov icons. The refugees sit dazzled by
the light in Rome, speaking the Russian language, spreading rumors, just as
they had back home. But these rumors are not concerned with when the hot water
will be turned back on; they have a different content. “They compared climates.
San Francisco was wonderful if you didn’t mind rain every day. Atlanta was
forty degrees in the shade and you were lucky to find a white cop” (42). Although
nothing is said about black people elsewhere in the book, Bezmozgis hints here at
the standard racist attitudes typical of most Russians, including Russian Jews.
In Rome Alec watches a porno film
for the first time, then muses over all he had been deprived of back home:
“When it ended Alec grasped the full extent of Soviet deprivation. If Russian
men were surly, belligerent alcoholics it was because, in place of natural,
healthy forms of relaxation, they were given newspaper accounts of hero-worker
dairy maids receiving medals for milk production” (151). Meanwhile, Russian
folklore still rules in the minds of the protagonists: “I dreamed of shit last
night,” Karl declared. “Means we’re due to come into money” (137).
Then there are all the nice set
pieces about daily life in the U.S.S. R.
(1) On driving a car Russian style,
during the years when very few people owned cars and women did not drive: “In
Riga his father had owned a car, a Zhiguli, which he drove poorly and
infrequently. Arturs [his Latvian driver—the very fact of having a personal
driver and a work car places Samuil up high in the Soviet hierarchy] took him
to work, and when the need arose Samuil expected either Karl or Alec to drive
him where he wanted to go. Otherwise the car sat in the garage, halfway across
town. Samuil recorded the mileage on a pad to ensure that neither Karl nor Alec
took the car out for their pleasure. It never occurred to anyone that his
mother might also want to drive it” (45). The only thing missing from this
account of ancient Russian history—which young Russians today would read laughing
and choking on hilarity—is the tale of how Karl and Alec would likely make use
of the car for sexual trysts, since in Soviet Russia the sexually willing faced
the perennial problem of having nowhere to fornicate.
(2) On home improvement in the
U.S.S.R. [actually apartment improvement, since people lived not in houses, but
in government-owned apartments]: “Just to wangle ceramic tile for the bathroom,
a man pitted himself against the mighty arsenal of the Soviet state. In effect,
it was as if Leonid Ilyich [Brezhnev] was himself personally opposed to the
tiling of a bathroom. It was the supreme challenge, eclipsing every other human
endeavor—sport, sex, philosophy, art, and science” (211).
The Free World is often beautifully written. “They drove west
toward Ostia. Ahead of them, beyond the horizon, the orange sun eased itself
gently into the sea. Everything went orange in the expiring light. Orange-hued
cars barreled along the orange-hued Ostiense until Dmitri pulled up and veered
off onto a side road” (298). Sometimes there is a poignancy to descriptions of
refugee life in Rome, as in the tale of the lost dogs: “The dogs, mostly large
breeds, the mastiffs and wolfhounds favored by Russians, roamed in hungry,
scraggly packs around Ladispoli, often congregating along the shore. They had
been abandoned by owners who’d flown off to Canada or America—who after going
to considerable lengths to process and transport the animals from the Soviet
Union to Italy, had finally been dissuaded from taking them any farther. During
the day, the dogs sprawled listlessly in
the shade of the palm trees, and in the evenings they skulked about in search
of food. As with people in similar straits, the largest ones fared the worst. Great,
once proud beasts dragged themselves about with downcast eyes, begging for
scraps. To feed them was only to prolong their misery. Samuil had seen Italians
shooing the animals away, using the Russian words for ‘no’ and ‘scram’” (242).
The novel depicts only one summer
in the lives of the characters, and that is a summer in limbo. Soon they will
arrive in their new home, Canada, and the reader wonders how they will get
along there. Adept at Soviet conniving as most of them are [two of the minor
characters among the refugees are the Bender brothers, an inside joke for
readers of the popular Russian novel, “The Twelve Chairs” (by Ilf and Petrov,
published in 1928), in which the main character is the conman, Ostap Bender],
the implication is that they will do well. In speaking of low-life Masha and
her family—her mother and her hoodlum brother Dimka—Karl remarks, “They’ll go
to Germany. They can be smuggled in. I’m sure they’ll prosper. There’s plenty
of opportunity. Let them be the Germans’ problem” (342).
The reader is frequently reminded
that by far not all refugees are upstanding citizens and persecuted fighters
for freedom. Like Dimka, some of them are common criminals who have done prison
time in Russia. They are easy to pick out of the crowd, since they are
festooned with the tattoos of the criminal underworld. “The unambiguous message
from the Kremlin to the Knesset was: You
want Jews? Here, take these” (184). When a Western country takes in
migrants and refugees, it surely will be favored with some hardworking and
upright types, but then again, the country ends up also inevitably with criminals,
swindlers, and, worst of all, the Tsarnaev brothers of Boston. This problem
underlies much of what Aleksandar Hemon has written, in his fictions depicting
low-life Bosnian refugees in the U.S.
How much happiness, or
unhappiness, awaits the Krasnansky family in Canada? David Bezmozgis would have
to write a sequel for us to find out. Perhaps he is writing one. One may
venture a guess, however, that the family members will find out that happiness
in the West is not really at a premium either. Already their three months in
Italy have been instructive in that regard. Lasting happiness anywhere, in
fact, may be hard to come by. The epigraph to the book is from Genesis: “Now
the Lord said unto Abram: ‘Get thee out of thy country, and from thy kindred,
and from thy father’s house, unto the land that I will show thee.’” The title
of the book is The Free World,
something of an irony in itself, since there is not really any truly free world
anywhere. The implication of the epigraph, however, suggests a different title,
The Promised Land, and that title
would be even more ironic.
Still in his early forties (born
in 1973) David Bezmozgis has now published a book of short stories and two fine
novels. Of the Russian/Jewish writers of fiction who have come out of the
Soviet emigrations, he is probably the best working today.
Friday, May 15, 2015
BOOK REVIEW: Maxim D. Shrayer, "Leaving Russia: A Jewish Story"
BOOK REVIEW
Maxim D. Shrayer. Leaving Russian: A Jewish Story. Syracuse, NY: Syracuse University
Press, 2013. Illustrations, Index of Names and Places. xxii + 324pp. $29.95 (cloth).
Once, in Moscow, in his seventh-grade
classroom Maxim Shrayer was passed a note, “To the Jew from the Russians.” Containing
the usual message of bigotry—“You Jewboy son of a bitch,” etc., complete with
misspellings—it was signed by two boys, both named Fedya, neither of whom had
previously appeared particularly virulent in their anti-Semitism.
Episodes such as this were part of the
normal life’s experience of a Jew in the Soviet Union. Prof. Shrayer’s book
treats not only what it’s like to be a Jew in Russia, but also what it’s like
to be part of a “refusenik” family. He was eleven years old when his parents decided
to apply for emigration. After nine years of living in limbo, the family
finally was given permission to leave when he was twenty.
Those nine years were, to put it mildly,
full of stress. While describing numerous incidents of harassment, however,
this book is not about a worst-case scenario, not about Jews who were hounded unmercifully
to their perdition. There are probably other Russian Jews who could write such
a story. Take the issue of bullying at school. Maxim Shrayer was harassed
periodically, subjected to taunts, sometimes to collective jeers directed at
Jews in general. But he was not bullied. Wisely his father taught him early on
to fight, and fight he did. He seems to have had, always, a highly developed
self-assurance. He was, as he himself says, outgoing, a “popular” schoolmate.
The what if question shows up, or is
implicit, again and again in this book. First off, what if the boy had been
introverted, shy, not a fist fighter? Plenty of Jewish boys are like that.
Plenty of American children, Jewish and otherwise, are subjected on a daily
basis to horrendous bullying in American schools today. It drives some to
suicide.
What of his parents, Emilia and David
Shrayer? What was their life like in the Soviet Union? Once again, the
situation could have been much worse. “My mother and father had both reached
professional prominence”(30). Emilia was a teacher of English and a translator.
David was a successful doctor and a published author, a member of the Union of
Soviet Writers. His pen name was/is David Shrayer-Petrov. Of course, after they
declared their intention to leave, their lives changed drastically. No more
Union of Soviet Writers, no more good jobs. But, lucky for them, they were able
to find menial jobs, they were able to survive. Their only son was consistently
successful at everything he did. He was bright, an A student, he had
experiences that other Soviet students seldom have: working during breaks from
his studies as an orderly in a hospital, riding horses at the Moscow race
track.
By the time the family was finally allowed
to leave in 1987, after nine long years of harassment and frustration,
Gorbachev’s New Era was on the horizon, and on a different horizon—not far past
that—was the collapse of the Soviet Union. The author himself poses the
question, “Should we have left?”
“In some memories of my Moscow youth I feel so at peace that I start
wondering why I left in the first place. Had I experienced the best of
friendships in the wrong place at the right time so I would then go on
remembering the time even as I forget the place?” (117).
This book, despite the limbo and the
stress of those nine years, is full of good friends, happy times and the halcyon
days of youth. The chapter describing a university expedition to the south of
Russia in 1986, when Maxim was studying in the Soil Sciences department at
Moscow State University, is idyllic. The family’s yearly trips to Estonia for
summer vacations are described as highly relaxing and appealing.
Prof. Shrayer is a published writer of
poetry, fiction and literary criticism. Recently he published a fascinating
book on the relationship between Bunin and Nabokov. He began his writing career
while still a student in Moscow. The book is full of little details that embody
Soviet life of the seventies and eighties, things that I myself recall from the
many times I visited the country.
Caraway/coriander rye bread (“Borodinsky”),
poplar fluff, fatback and sunflower seeds. Ah yes, Russia. The way you walk
into a restaurant and never ask for a menu— because nothing on the menu is
available. You just say, “What have you got?” This is such a normal situation
that Shrayer doesn’t bother explaining it for the non-Soviet reader (116). And
this: “One of the two bus drivers was a misanthropic middle-aged man who
regarded his ochre-colored bus as a submarine under his command” (166). Ah,
yes, you could write a whole book about Russian driving habits and the
puffed-up pride that men take in being the all-powerful captain of the
auto-ship.
And this: “The director [of the House of
Culture] spent much of her time drinking tea in the company of two junior
administrators, whose principal tasks were to brew tea and to pour it into
cups” (50). When working for the Red Cross in Russia and Central Asia
(1992-1993) I ran into hordes of these “junior administrators.” They were hired
to be, largely, sycophants, while the director (and maybe one secretary) did
all the work. That’s the way Russian institutions often operate.
Then there’s the yearly harvest, the days
in late August when the big cities overflow with luscious watermelons and the
denizens are afflicted with watermelon fever:
“The city streets reeked of rotting
watermelons. . . . Street corners and areas in front of food stores would be
filled up with cage-like metal containers full of watermelons. People
congregated in front of the large metal containers, picking and choosing ripe
melons, sniffing them, tugging at their twisted piggish stems, tapping and
pressing at them like doctors giving an abdominal exam. Parents would lift up
children and put them inside the containers, and children crawled over the
mounds of white and green stripy balls. Emotions ran wild and people would get
in fights over watermelons. Women would lean over dirty edges of the metal
containers in order to reach for watermelons, and boys would peer at the
‘panorama,’ as we called it in our jargon, of underwear and garter belts.
Streams of pink watermelon juice flowed down pavements and mixed with the
Stygian waters of the city streets” (75). Stygian?
There are lots of other passages in the
book striking for their literary merit and evocative of Russian quotidian life.
The train cars of Russia, “stuffed with people like sausages are stuffed with
meat, fat and fennel seeds” (xvi). “A flowering potato field we passed on the
way to the whitewashed milestone where my father would get off the heaving bus,
mesh sacks of groceries in both hands” (8). The “Soviet grandee Boris Rozanov,”
who had “the large, jutting mauve ears of a pedigreed Chihuahua” (109). Not
just a Chihuahua was Comrade Rozanov, but a Chihuahua with a pedigree!
What’s it like, leaving all these things behind—familiar
things that constitute the everyday quintessence of your very life—and starting
out in a new country, “the miracle country” (40) of American the Beautiful? Did
the new country live up to the expectations of the Shrayers? This myth of
America as Fairyland Wonder has a long history in Russia, dating back at least
to the eighteenth century. Time and again in the great works of Russian
literature characters and authors dream of leaving all their troubles behind
and going to America. Just before shooting himself—in the presence of a Jewish
watchman whose face “had the eternal expression of resentful affliction that is
so sharply etched on every Jewish face”—Dostoevsky’s perverted Svidrigailov (in
Crime and Punishment) says, “If
anyone asks, say that I said I was off for America.” In the torment of his last
years Tolstoy considered emigrating to America. In the Russian imagination
America was the place where dreams came true.
As representative in flesh of the Great
Myth an American in Russia always had a special status. On the unwritten list
of national rankings America and Americans were number one. In 1972, for
example, when I was at Moscow State University for the first time with a group
of American Russian teachers—and where I probably walked past young Max Shrayer
on the street—the American contingent received the highest stipend of any group
there. The group leader of the North Vietnamese—with whom we were then at war,
and with whom the Soviets were allied—went to the administration to complain.
The Vietnamese received the lowest stipend, except, perhaps, for the Africans.
He, the complainer, was quickly shown the door. How could a mere Vietnamese
demand higher status than an American?
Then, in 2012, not having been in the
country for several years, I went back to St. Petersburg and there I discovered
the corpse of the old myth. I wasn’t special any more. It took the collapse of
the Soviet Union to finally kill off the American dream in the Russian mind.
For the first time in Russian history the citizens of the country were allowed to
visit the U.S. They came in great hordes to the promised land. Some of them
emigrated. Many of them were disillusioned. Guess what? It’s not a wonderland
after all. But then, even if it had been a hundred times better than it really
is, America could never have lived up to the dream. Russian visitors took that
sad news back home with them, and the long-perpetuated myth expired.
It’s not for nothing that the book
mentions an American TV documentary about Russians miserable abroad (224-25).
My experience with Russians in the U.S. is that the great majority of them adapt,
if at all, rather poorly to American life. Some of them go crazy. “The social
stress of being an immigrant to a new country is one of the critical factors in
developing schizophrenia” [David Eagleman, Incognito:
The Secret Lives of the Brain (NY: Random House, 2011), p. 211].
But what about the Shrayers? We don’t know
if they consider America enough of a dream to justify all their trials, what
they had to go through to get here. Only another book by Maxim Shrayer will
clear that up for us, for this one ends with their departure from the Soviet
Union. He does, however, describe how it feels going back “home.” “While
visiting Russia I now feel like a comprehending alien” (xix).
Being a part of the great Jewish
community, of course, is a consolation, but, then again, there are big
differences between Russian Jews and American Jews and Israeli Jews. Prof.
Shrayer writes, “I have encountered American- and Canadian-born Jews who regard
me and other ex-Soviet Jews with a mixture of solidarity, skepticism, and
condescension—as somehow a lesser Jew” (113). He describes his anger when a
rabbi in Boston informs him, “We’re going to grow you as a Jew” (114).
I often tell Russians and Russian Jews I
know that a Russian Jew, in my opinion, is much more like a Russian than like
an American Jew. Both the Russians and the Russian Jews get insulted when I say
this. But I see the Russians—Jewish or otherwise—as often voicing the same
opinions and playing the same games.. A friend of mine, laughing, once told me
about his reception in Israel after leaving the Soviet Union: “In Russia they
called us Yids; in Israel they call us Russians. We can’t win for losing!”
At one point Prof. Shrayer mentions “the
members of the Soviet intelligentsia who wear masks in public and remove them
from their faces when they come home at night, only to discover one day that
the masks won’t peel off” (133). Yea, Bogoo, oh so true, but it’s not only the
intelligentsia. The Soviet Union (and now Russia—nothing has changed in this
respect) is a country full of people wearing masks. This book is full of the
very Russian thing of pretending, faking it, telling untruths and half-truths. The
chess games. I have known Russians who push this business to the point where
they lie so much that they end up bamboozling their very selves. Russian
refuseniks, however, were in a special situation; not only did they have to do
the usual Russian prevaricating—they were forced to prevaricate at a still
higher level!
Shrayer describes his romance with a young
woman from another refusenik family, Lyuba, who remarks “how odd it was that we
were refuseniks, our families had been oppressed by the Soviet regime, and yet
we still remained brainchildren of the Revolution and subscribed to its myths”
(136). Lyuba goes on to tell Maxim that they would have to keep their trysts secret
from her parents. Why? Because her mother thinks she should already be married
and having children. She would not approve of the still-too-young,
“un-marriable” Maxim. So that’s the way it went, with Maxim’s parents knowing
and Lyuba’s family “either not knowing or pretending not to know.” Later Maxim
describes how he and his mother had a risky meeting with an American
journalist, after which their cab was chased by an unmarked car. He was tempted
to tell Lyuba about “the night chase, but I didn’t, deflecting Lyuba’s question
with another half-truth about having been ‘occupied’ on account of my parents’
troubles” (151).
As part of my class on Russian folklore
and folklife at Miami University I included a discussion of Russian
mentalities. In that class there were often students who were born in the
Soviet Union, or whose parents were. Once, when I was discussing the Russian
games of lying and perpetual chess, one of my students raised his hand.
Thoroughly puzzled (after all, he was American-born), he told the following
story.
“My uncle Boris fell down the stairs drunk
and broke his arm. Aunt Lydia, not even a member of our family, but some kind
of cousin, came over and began telling us how we would present this event to
friends and family. We would tell grandma that he fell, but he was not drunk.
We would tell his brother that the arm was not really broken. We would tell
Aunt Lena that he was walking backwards down the stairs, and the reason he fell
was because someone left a book on the steps, and we would keep the whole thing
secret from that horrible Masha Volkova—although she was bound to find out and
spread her nasty gossip. What I want to know, though (said my student), Why
can’t we just tell the truth?” Ah, the naïve American, who believes that truth
can be told!
Prof. Shrayer mentions his encounter with
an American professor in Moscow, who launched into a tirade on the games played
in American academe. “I remember thinking, ‘How very enticing’” (233). Now a
successful writer and university professor, Shrayer has almost certainly
learned to play the American games well, but, after all, those games are
child’s play for one who has grown up in the labyrinthine morass of game
playing that is Russia!
Another example. Not many years back I met
a Russian woman (let’s call her Galya) who wanted to be my friend. In her calculating
Russian mind she pondered deeply on what she should tell me about herself to
best appear in a favorable light. Although Galya was with her Jewish friend
Tanya when we first met, she was careful to ensure me (several times) that she
herself was not Jewish. Later I learned that she had emigrated to Israel; she
had lived there twenty years and spoke Hebrew. She told me that one of her daughters
had married a Jew and emigrated to Israel, and that’s how she and her husband
had got out of the U.S.S.R. But she was not Jewish, no. Soon I learned that
both her daughters were married to Jewish men. She gingerly fed me such
information in small doses, a little at a time, so as to make it more
palatable. Her automatic assumption was that I cared deeply whether she was
Jewish or not. I didn’t.
A few months later, while I was visiting
Galya in Nevada, I noticed that all of her friends there were Russian Jews. She
again assured me that she was not Jewish, although I never brought the subject
up. Finally, just before I left, she informed me that one of her friends had
told her she better own up. So she did. “I’m not Jewish, but I am kind of
half-Jewish because my mother was Jewish.” What Galya, who had lived in the
U.S. for several years but spoke little English and knew zilch about American mindsets,
didn’t realize was (1) I couldn’t care less whether she was Jewish or not and
(2) since I have been around Russians for many many years and am well-versed in
Russian game-playing, I assumed from the
very start that she was probably Jewish. In fact, I expect, momentarily, to
receive from her the information that her father was Jewish too.
The Shrayers spent nine years playing the
excruciating game of applying for exit visas. We are never told, but apparently
this game works somewhat like the repetitive game of taking final exams in
Russia. In a process that puzzles an America professor, as it puzzled me when I
taught in Russia on a Fulbright, you never actually flunk a final exam. You get
to keep taking it over and over until you pass. The Shrayers applied and
applied, over and over, and their persistence finally paid off. In 1987 they
emigrated to the U.S. Back now to an earlier question: would they have been
better off never leaving?
One thing is for sure: the Shrayers, had
they remained in Russia, would have found no diminution in anti-Semitism after
the collapse of the Soviet Union— for disparagement of Jews is the default mode
in the psyche of average Russians. I have run into it in my dealings with
Russians and Ukrainians so often that it ceases to surprise me. Some of them
are merely casually anti-Semitic; others are virulently so—“the kind of Russians
who savor the word Kike in the mouth like a juicy fresh fig” (Nabokov). In my
experience the Russians who are not anti-Semitic tend, nevertheless, not to
discuss the topic of Jewishness, as if it were some taboo thing best left
alone.
I can give you countless examples. Once I
was sitting with a Ukrainian friend when Steven Spielberg appeared on the
television screen. Apropos of nothing the Ukrainian remarked with a sneer: “I
don’t care who gets the Academy Award, as long as it’s not that zhidyonok (little Kike).” I have special
insights into bigotry, since I grew up in a little Southern racist town in the
forties and fifties—surrounded by bigots of every stripe. One of the most
common of bigots is the one who pushes hatred almost to the point of obsessive
love.
I had one uncle who, no matter what the
subject of conversation, would inevitably bring it back to “N-word.” He had N-word
and n’s on his mind day and night and
probably in his dreams. If you were speaking of exploration of space, for
example, he would say, “A n caint get a job as an astronaut, no way. A n ain’t
got the brains for it.” A Ukrainian I knew was the same way about Jews—an
obsessive love-hater. Talk about space exploration, famine in Africa, a meteor
that fell on Buenos Aires, this Ukrainian, invariably, would bring in some
disparaging something about Jews. Once she insisted that Gogol was a Jew. I
said to her, “Listen, Marina, if Gogol was a Jew, then Pushkin was too, and
we’re all of us, you and me and your aunt Matilda, Jews!”
Here’s an unfortunate fact about human
beings: in one way or another we’re all bigots. Hard-wired deep into our brains
is this fear and hatred of “the other.” Recent studies in brain science have
revealed amazing things about human bigotry. People who are flaming liberals,
who pride themselves on their sense of rectitude, sometimes participate in
brain studies with neuroscientists and discover that—deep in the neurons of
their brains—they are racists!
In July, 2006, when the actor Mel Gibson
was arrested for speeding and driving drunk, he spewed out a tirade about how
Jews are responsible for all the wars of the world. The next day, sober and
contrite, Gibson issued a statement: “I said things I do not believe to be true
and which are despicable. I am deeply ashamed of everything I said.” Later it
turned out that Gibson had spent the afternoon before his arrest at the house
of a Jewish friend. That friend described how Mel, when he’s drinking, “becomes
a completely different person.” He went on to say, “If Mel is an anti-Semite,
then he spends a lot of time with us [the Jewish man and his Jewish wife],
which makes no sense.” [This episode is detailed in David Eagleman’s book Incognito, p. 101-104].
“There’s someone in my head, but it’s not
me.” So who is the real Mel Gibson, the bigot or the non-bigot, the friend or
the enemy of the Jewish people? It’s an impossible question to answer, since
the one-hundred billion neurons deep in our brains are—as Dostoevsky once wrote
of man in general—“broad, way too broad.” They can accommodate racism and
anti-racism and scads and scads of other viewpoints. Taking this broadness into
account, we can easily believe Maxim’s old classmate, Fedya, in an e-mail he
sent to the author in America. In that e-mail, Fedya, who had long since
forgotten the mocking note he and the other Fedya signed back in the seventh
grade, writes, “Can you really imagine that your nationality makes any
difference to me?. . . . I was NEVER, even in childhood, when many things pass
without our being conscious of them, permitted to place anybody beneath me, and
especially on the basis of ‘skin color’” (28).
So the nasty note, which still lives on
hurting in the psyche of the one offended, was probably forgotten immediately
by the perpetrators, who were kids playing a silly prank and who consider
themselves unbigoted. And, in some sense, they probably are not bigoted. But
somewhere deep in their brains they still are. Life is complicated. At the
moment of this writing there is a shocking article in the Atlantic titled, “Is It Time for the Jews to Leave Europe?” The
author, a Jew, concludes that, given the anti-Semitism of Islamic immigrants in
European countries, given the danger to life and limb, it is indeed time for
the Jews to flee Europe.
Unfortunately, the little ditties have
enormous staying power. “Fatty, fatty, two by four, can’t get in the bathroom
door, had to do it on the floor.” That comes out of my childhood, but you can
count on its still being around now, directed maliciously at any overweight
child anywhere in America. Two hundred years from now, assuming that human
beings haven’t destroyed all life on earth by then, there will still be Russian
children (and adults too sometimes) rattling off the Russian version of “Two
Jews and a Kike went to Israel on a hike” (18). The Collected Works of Maxim D.
Shrayer may be forgotten by then, but the ditties will still be around.
Would that it were not like this, but this
is the way it is. Prof. Shrayer’s beloved Nabokov once wrote a novel, Despair, which has such a skewed
narrative structure and such a brilliantly perverse narrator that you don’t
realize, even dimly, what’s going on until you are three-quarters of the way
through it. Then you read it again from a totally different perspective, and you
begin “getting” it, but you have to read it at least one more time. Or two. Shrayer’s
writings are not so complicated, but there is a parallel to be drawn here. We
can’t be sure about some of the things in Leaving
Russia without reading the next book, the one still not written. Did
America prove to be worth it for the Shrayers? I dare say it was worth it for
Maxim, but what about his parents? Would they have enjoyed their lives and
found more gratification in life if they never had started the excruciating
process of applying to emigrate, if they never had left Russia? Stay tuned for
the next book, the one called (maybe) Living
in America. There’s where you’ll find the answer to that question.
Monday, March 30, 2015
NEW BOOK: U.R. Bowie, "Disambiguations: Three Novellas on Russian Themes"
NOW AVAILABLE ON AMAZON:
http://www.amazon.com/Disambiguations-Novellas-Russian-Themes-Collected/dp/1508476683/ref=sr_1_1?s=books&ie=UTF8&qid=1427720422&sr=1-1&keywords=U.R.+Bowie%2C+%22Disambiguations%22
U.R. Bowie
DISAMBIGUATIONS: THREE NOVELLAS ON RUSSIAN THEMES
U.R. Bowie holds a Ph.D. in Russian
literature. The three tales included here are written in English, but make no
mistake: they are firmly in the tradition of Russian literature. In fact, the
great Nikolai Gogol, with what the critic Mirsky once called “his volcano of imaginative creativeness,”
blows through all three works, both in body and spirit.
The first novella, Exhumation, features Gogol in the flesh (and then out of it).
Beginning with scenes from the writer’s life in the nineteenth century, it goes
on to describe the macabre little festivities on the summer day in 1931 that Nikolai
Gogol, along with some of his closest friends, was dug up at the Danilov
Monastery in Moscow. When they opened the coffin they discovered that the skull
was missing. Nikolai Gogol’s head had been stolen.
The second novella, Disambiguation, is set in the United States, but the theme, once
more, is Gogolian in its skewed intricacy. A man who may or may not be insane,
who may or may not be Lee Harvey Oswald (still alive fifty years later) appears
on a Philadelphia talk show, where he discusses the ambiguations and
disambiguations of the spy world, and of the Russian mind— and, by extension,
the labyrinthine thing that is anyone’s life on earth.
The longest, and most purely Russian of
the three works is the last, The
Leningrad Symphony. Set entirely in the city of St. Petersburg, on one day
in October of 1999, it is structured something like Virginia Woolf’s Mrs. Dalloway. While Shostakovich’s
famous Seventh Symphony (The Leningrad) plays in the background score, the
reader listens to the music and follows a wide variety of characters about the
city: a government official on his way to being murdered in a hit killing, his
driver, his secretary, his bodyguard, a twelve-year-old boy skipping school
that day, an elderly man who spends all his time researching a painting at the
Russian Museum, a scatter-brained pilgrim woman, in town to visit the shrine of
St. Petersburg’s most famous holy fool, and a variety of other characters.
The
Leningrad Symphony
is a hymn of praise to the resplendent city of St. Petersburg, to its
Pushkinian harmonious brilliance and to its Dostoevskian bleakness and sleaze.
But, then again, this whole collection sings of that glorious thing that is
Russian culture. It even throws in for good measure bits and pieces of the
Cyrillic alphabet. While acknowledging the complexity of a thousand bloody
years of Russian history, while describing with confidence the Russian
propensity to hold two contradictory positions at the same time, U.R. Bowie
gives us a totally convincing, and even loving, look at the enigma inside a
conundrum inside a puzzle that is Russia and the Russian mindset.
Wednesday, March 11, 2015
NEW BOOK: "DISAMBIGUATIONS: THREE NOVELS ON RUSSIAN THEMES"-- BLURBS
U.R. Bowie's new book is about to be published, SOON, SOON SOON.
Here are the blurbs from the back cover:
Дисамбигуации
U.R. Bowie has a broad and deep grasp of
Russian history, culture, the mindset of the Russian people. These stories
plumb the vital, bloody landscapes of our sad, but ever fascinating and vital
country, exploring the ineffables at the heart of Russia, yet seeking answers
to questions universal to all humankind.
…Arkady
Sinepuzov
Leningrad District Herald
You read and reread these tales and you
find yourself in that peculiar Russian frame of mind that lets you hold two
contradictory positions simultaneously—the one fighting against the other!
…Lawrence
Wolfson
The
Russian Revanchist
In these pages Russian people grapple
with identity, try to understand the past and negotiate hope, faith, life. Why
is this so hard to do? Because although the country is one thousand years old
nobody has ever implemented any hard and fast rules for living. Or somebody is
always changing the rules! They take away God from the people, they say God
does not exist. Then, one fine sunny day, after Communism has evaporated into
thin air, they make an announcement: “By the way, people, we’re giving God back
to you today. Enjoy.”
…Slava
Sanin
Notes
from a Russian Rathole
Throughout the third and longest novella
in this collection, The Leningrad
Symphony, Shostakovich’s music plays in the background score. But the three
novellas themselves are presented in the form of three movements of a musical
piece. The opening movement (“Exhumation”) states the themes, the second
movement (“Disambiguation”) explores the meaning and permutations of those
themes, and the final movement (“The Leningrad Symphony”) recognizably returns
to echo the first two movements, while, simultaneously, informed by all that
has come before.
...Gennady
Aristov
Myisamisusami
Review
Monday, June 30, 2014
Bunin's Head Looks Askance at Life
This is a detail of the head, from the Ivan Bunin monument in Yelets, Russia, unveiled in 1995. The sculptor is Yury Grishko. In the years of his emigration Bunin once visualized such statues in his honor:
"In some city square, where, early on a summer evening, slender-legged working-class children will chase each other around that statue with idiotic shrieks, while it stands there eternally mute and unmoving" (cited in Night of Denial, p. 613).
Little did he know what ignominy is in store for the man whose image is made into a monument. The last time I was in Yelets I noticed that vandals had written unseemly things all over Bunin's head, and one leg looked to have been broken off, then reattached. You wonder how far and wide the local police had to search, before they found that plundered leg. Then again there is the monumental problem of the pigeons.
Wednesday, May 21, 2014
Gogol the "Satirist"
During the years of the Soviet Union nearly everyone was reading Gogol wrong. He was, so it was thought, the castigator of evil, the "realist" author who presented all that was bad about Russian life and forced his contemporaries to look at it.
Then again, it was not only the Soviets who interpreted Gogol as realist and satirist. During his own lifetime that was the primary interpretation of his works in Russia. Even Gogol himself, who never really understood what he was doing in his most creative fiction, accepted the view, assumed it to be true.
When I was teaching in Novgorod on a Fullbright Scholar Grant (1999-2000) the issue came up with my students, who were puzzled when I scoffed at the idea of Gogol the realist. Their teachers in high school had inculcated the old accepted view, and they fully accepted the received knowledge: Gogol is a realist and a satirist.
So it goes, and probably to this very day teachers of literature in high schools all over the country are still propagating this same old falsehood.
Gogol the realist: a man who wrote a story about a nose escaping from a government official's face; who wrote about another man who married a warm winter overcoat; whose works are populated by phantasms and pigs that are more real than anything realistic.
A satirist excoriates, fulminates in aid of some cause. The works of a satirist often drip with venom. In his greatest fictional works Gogol teaches only the lesson of highly inspired creative art. In his personal letters and his daily life, of course, he is the preacher nonpareil, promoting morality and Russian Orthodoxy to the point of fanaticism. His Selected Letters from Correspondence with Friends is written by an author who is clearly deranged. Not so his fiction. His fiction is lofty, is of the gods. In his fiction Gogol is, above all, an ironist. And a comic genius. The main hero of his best fictions is laughter, but not satirical laughter.
Who was it said it, Nabokov? "Satire is a lesson; irony is a game." And one of the greatest games played in all of human endeavor is the game of high art.
Monday, May 19, 2014
The Enigma of Gogol
Nikolai Gogol is the most enigmatic, puzzling, astonishing of all Russian writers. Of the literary figures who associated with him during his lifetime, the great majority of them (Pogodin, Zhukovsky, Pletnyov, etc.) left no written account of their association with him. Why not?
Probably because they simply did not know what to make of him. What was the man really like? Hard to say. How did this man they associated with (the finagler, manipulator, prevaricator) write the great literary works (Dead Souls, The Inspector General, "The Overcoat")? No idea.
Not so surprising, since Gogol himself, the man, had no idea where the wellspring of his talent was. He wrote astonishing literary works, then went about trying to interpret them. His ex post facto interpretations were ridiculous. The Gogol of the mind-boggling talent was a Gogol who had nothing in common with Gogol the man. Amazing.
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